Two scenic artists explain how they used Rosco Scenic Products to coat and protect a foam skull entryway that transformed a home into a haunted house – this Halloween, and for Halloween seasons to come.

It’s hard to find a wide-width wood graining tool. So, when Scenic Artist Terra Writz needed to paint 6-in planks for a faux parquet floor – she made her own. Then she shared her process with us!

Scenic Artist Tim Parati used Rosco Invisible Blue Fluorescent Paint to create large, glowing scenery for a production of “Pete The Cat” at Children’s Theatre of Charlotte.

Scenic Artist Brigitte Bechtel devised an excellent technique for transforming carpet into realistic fake dirt that tours well and installs on stage quickly and easily.

Muralists at Fresco Exchange discovered the benefits of our Off Broadway Scenic Paints, including their matte finish & vibrant colors, then put them to work painting murals across the U.S.

Scenic and Lighting Designer Paul Yeates created a “UV-blueprint” scenic effect using a combination of Rosco UV scenic paint and Rosco UV LED fixtures.

Scenic Artist, Jenn Bobo, used Rosco UV paints to create a special effect that announced the angel’s arrival on stage in a production of “Angels in America.”

Read more at our Spectrum Blog: http://www.rosco.com/spectrum/index.php/2018/05/a-uv-effect-gives-an-angel-its-wings/

Read more at our Spectrum Blog: http://www.rosco.com/spectrum/index.php/2018/01/how-to-paint-faux-steel/ 

Designer described set as a dingy warehouse basement that has been taken over and filled for this podcast.  I've always used Rosco paints so when I took over this position, I slowly built our inventory of Rosco paints (ie- Off-Broadway and Super Sats)  I find they blend well together and offer a wide variety of colors to be mixed.  They are also versatile for our uses here in the shop (ie- faux finishes, spraying).

Off-Broadway Paints used: Fire Red, Orange, Burnt Sienna, Burnt Umber, Raw Umber, Van Dyke Brown

We use Rosco because of the quality of paint and consistency of colour and pigmentation. I used mainly Rosco Supersaturated on this drop to maximize the amount of colour with the minimal amount of product. Rosco Off Broadway was used to help give robustness to the dark stripes and the lettering/detail.