Image was sketches and then pounced onto butcher paper. The pounced images was chalked onto the velvet and then outlined with super sat white. Layers of super sat were used to build up the white under painting (shown), and then colored in with layers of off-broadway. Edges where cleaned up with black velour.

Image was sketches and then pounced onto butcher paper. The pounced images was chalked onto the velvet and then outlined with super sat white. Layers of super sat were used to build up the white under painting (shown), and then colored in with layers of off-broadway. Edges where cleaned up with black velour.

This helmet was constructed using pep files, fiberglassed, then skinned with foam. I then coated twice the helmet with CrystalGel. Once it was cured I proceeded to paint. This stuff is amazing. I found it much better than the FlexBond

I was charged with building the Book of Life for our production of Angels in America Part 1. For this project I primarily used Rosco Crystal Gel to adhere the materials to the surrounding frame and to create a flame retardant barrier between the head source and the material. the entirety of each section was them cover in Chrystal Gell to ensure stab-ability and create the clear sheen we wanted.

Mixed Paint to match a photo specified by the designer.

Finished with a clear coat mixed with slight metallic power solution.

This production required a dead black swan that was to be dragged through the house and onto the stage by its neck. I started by carving the head from pink insulation foam. For strength, I covered the beak with gauze soaked with Off-Broadway paint. The neck was made from a piece of aircraft cable wrapped in pipe insulation and then packing foam, all adhered with FlexBond and tape. The entire neck and head was then coated with Foamcoat and then the beak was sanded and painted with Off-Broadway paint. I carved out eye sockets and inserted black marbles for eyes.

Projection frame is carved from bead foam, covered with Foam Coat and painted with Roscoe Gold paint. Props were embedded or hung on the frame.
Height Youth Theatre Production

A combination of foams with a wooden armature. I used rosco flex glue and small applications of rosco crystal gel as a hardening agent for the leaves.

Carved foam shield, with added texture and aging. Foam was carved then coated with white tough prime. Then a base coat of sandstone tan was added. A dripped age effect of a few different browns was then layered on.

This statue was carved roughly out of styrofoam with hot wires and other carving tools. then it was sealed and built up with Rosco FoamCoat. I added details (facial features, hat brim, hands, etc) with clay and continued layering with FoamCoat, sanding each layer down smooth. Two layers of CrystalGel were applied to seal cracks, smooth the surface, etc. After a base color, highlights, shadows, and rust detail, I sponged the entire sculpture with Rosco antique gold paint.