USM SPA Stop Kiss production photos.

Use of R60 as a cool downlight special in an interrogation room. And use of R60 and R02 on a warm cool wash.

During the musical of "Into the woods" the cow goes into the woods with her owner to be sold. She is then traded for beans from the baker and his wife. At the end they meet the witch and try to get their baby, but she uses the items to get younger.

The deep saturated purple is meant to represent death and create an emotion of sadness.

Tech week, Day 1. Front of house primarily R02 for warm sunlight 'outdoor' feeling, balconies sidelit with R70 for cool fill and more of an airy feel. Also, I like saying, "Bastard Amber" as often as possible.

1) Werner Heisenberg (the Nazi physicist) gathers his papers as he reminisces. He's inside a small house, and it's night outside. I used R69 on the wall to suggest a dim dusk sky, and an R06 toplight to suggest the overly-yellow feel of primitive incandescent lights.

This is during "I Believe" when Melchior and Wendla are in the hayloft right before intermission. I wanted the rest of the children to be shadowy and dark. I choose brilliant blue to help create the wistful feelign of the song, while keeping the chorus more obscure.

Teen age-group in a 2014 production of Sweeney Todd. The first photo is at the end of "Epiphany" and the second is at the end of "Attend the Tale of Sweeney Todd".

Denizens of a dilapidated mall burrito stand become characters in the bizarro cartoon daydream of the assistant manager. R86 in the fresnel toplight and split R39 and R44 in uplight from 500W halogen worklights cast a sinister technicolor.

From IU's production of Macbeth. These photos feature scenes with the witches and Macbeth interacting.