Lighting Design:
Scenic Design: Carey Crockett
Technical Director: Jeff Barrett

Colors

R33 - warm front
R60 - cool front
R74 - cool tops
R357 - cool tops
R23 - warm tops
R124 - cyc
R125 - cyc
R126 - cyc
R15 - sun special
R47 - backlight

R 33 - Warm Front
R 63 - Cool Front
R 61 - Cool High Side
R 02 - Warm High
R 78 - Down Light/Booms
R 64 - Down Light/Booms
R 93 - Down Light/Booms
R 124 - Cyc
R 125 - Cyc
R 126 - Cyc
R 127 - Ground Row
R 64 - Ground Row

Lighting Design by Scott Smith, a CAP Production of Leader of the Pack.

R28 Down, R28 & R80 Cyc

Lighting Design by Scott Smith, from the CAP production of Oliver.

Using a 1/4 CTB and R80 @ low intensity

Black Sheep by Lee Blessing

Produced by:
Lamar University Theatre
April/May 2008

Director: Jeff Wisor
Scenic Designer: Kelly Draper
Lighting Designer: Jesus Pineda
Costume Designer: Kelly Draper
Props Master: Krissie Day

Colors Used:
R 76; R21 R360; R18; R51; R305; R63

Jacob Forstein Lighting Director for Disney's Beauty and the Beast at the Memorial Auditorium in Worhington MN. I used R83 for done light and R02 for fret light. For gobos I used 2 R33105 ripple- indigo Glass and 2 R77932 stars 6 with R339 in a Rosco cortex 360.

Almost, Maine at Lake Forest High School, Illinois. Lighting Design: Brett Pepowski, Assistant Lighting Director: Alex Zylka, Scenic Design: Jenny Alaimo and Rachel Penn, Sound Design: Jonathan Flusser, Director: Joe Pulio. Colors used: R60, R62 (back and side), R3208 (front). The Northern Lights were 8 ETC Selador Vivid-Rs (ground row) focused on a scrim doing a color-shift effect around R368, with a star drop behind.

Production Credits: "Civilization" by Jason Grote, Directed by Seth Bockley, Scenery and Projections by Laura Jellinek, Costumes by Jessica Pabst, Sound by Shane Rettig, Choreography by Dan Safer.

The Rosco Color used in this photo was Roscolux #72: Azure Blue.

I used this color and a single top light special for a dream scene.

The director wanted to make sure this dream was much different from the rest of the reality of the performance so, we settled on this color and it really helped with the erie dream that we wanted to portray.

Show: Down The Road
Written By: Lee Blessing
Directed By: Steven Gefroh
Lighting Design: Salvatore Nicosia
Costume Design: Andrew Wittakamper
Performed at: Suffolk County Community College

For my college's performance of The Shape of Things, written by Neil LaBute, the Roscolux gel I used for this scene (the park) was R66, R65+R119, R80+R104, R02, R313+R119 and R373+R97. The scene was supposed to be a cool autumn afternoon so I wanted to use the R65, R66 and R80 to emphasize that while using the R02 for definition and the R313 as my source of sunlight; the R373 was used as front light. The play was staged in a more avant garde style in that everything was white and there was very few props and scenery, not to mention the director wanting to heavily implement isolation.