CATS, Libertyville High School, lighting design: Kevin Holly, Roscolux: R60, R64, R71, R74, R75, R78, & R80. Used saturated Roscolux blue gels to push the "white light" of the show to R64. Custom iPro slide was used to project moon image on a hanging luaun disk. R60 in followspot keeps the palette BLUE. Lights upstage with no gel shine on hanging garland pieces to make warm stars.

"Life" written by the campers of Buck's Rock Creating and Performing Arts 2008
Buck's Rock Camp for Creative and Performing Arts
Light Design: Kaleigh Boshart

In this shot the wash is built of R80 and the accent on the lovers is R21. Simple colors, but make strong strokes of emotion.

Kabuki adaptation of Dracula. October, 2009.
Adapted and directed by Dallas McCurley
Scenery by: Steven Capone
Lighting by: Jeff Greenberg
Costumes by: Meghan Healey
Pic 1: R3204, R88, R58, R83
Pic 2: R075, R3204
Pic 3: R62, R53
Pic 4: R075, R3206
Pic 5: R075, R53, R65, R77

Musical infantil "A cigarra e a Formiga"
desenho de luz: George Santos (Geolight)

golden amber #21
sky blue #68

cor escolhida pelo casamento perfeito com a proposta cenografica,e pela durabilidade dos filtros.
Nestas cenas foi criada a ambientaçao de uma floresta densa ao cair da tarde.

"Philharmonic on Fire" 2011 event at WaterFire Providence.

"WaterFire" is a public art-installation and urban festival created by award-winning artist Barnaby Evans. This is the second annual "Philharmonic on Fire" event that features performances by the Rhode Island Philharmonic and Festival Ballet Providence.

The red used to up-light the "Turk's Head" is R#26 "Light Red"

Photo by Michael Ippolito (Flashover Studios)

"A...My Name is Alice" produced at Snowy Range Summer Theatre in Laramie, Wyoming. Director: Leigh Selting. Lighting Designer: Emmett H. Buhmann. Scenic Designer: Ron Steger. Costume Designer: Landee Lockhart. Photographs taken by Don Turner and Tim Buhmann.

Down washes of R382 and R34 combined with a rear texture wash of R325 through R78419 "Stuco Leaves" gobo. These proved to be versitile choices in the small studio space allowing the action to become either appropriately large or intimate.

For this John Denver musical review, I chose R358 - Rose Indigo as my color for the backlight wash, which turned out to be a primary element of the production. Throughout the musical numbers, the backlight complimented both the warm and cool washes from the SeaChangers mounted at sidelight and torm positions. It made the performers pop out from the full-cyc projections that are also crucial to the show, without bouncing any light back onto the cyc itself due to low transmission.

For this John Denver musical review, I chose R358 - Rose Indigo as my color for the backlight wash, which turned out to be a primary element of the production. Throughout the musical numbers, the backlight complimented both the warm and cool washes from the SeaChangers mounted at sidelight and torm positions. It made the performers pop out from the full-cyc projections that are also crucial to the show, without bouncing any light back onto the cyc itself due to low transmission.

2,280 Pints!

Produced by: University of Florida, February 2011

Artistic Director: Neta Pulvermacher

Lighting & Scenic Design: Bryan Lussier

Choreography: Neta Pulvermacher, Robin Brown, Colette Kreeger, Matt Reeves, Rebecca Warner

Rosco products used:

Gel: R119, R53, R302, R99
Gobos: R78227, 78219, 78234, R77228, R77747, R78023, R78420, R78421

THe photos show the use of Rosco 4260 as the cool front light coupled with R378. The windows used R316 to create a dynamic effect of contrast between the warmth of the sun and the cold interior of Macbeth's castle. The witches scene was washed with R4430 and R2004 to give the sense of mouldy corruption concocted by the weird sisters.